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Who is Ben Friesen?
Education and Training:
BA in Communication Studies and Theatre with a Spanish Minor - Trinity Christian College
Fall 2021 NMTI Cohort at the Eugene O’Neill Theater Center - National Theater Institute
More about the National Theater Institute:

Recent Professional Productions
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Roles: Father, Ox Father (Puppet), Ox
• Opened each show with unique, improvised audience interaction
• Kept a straight face while sharing the stage with some of the funniest actors in Nashville
•. Used a rod puppet to sing, dance, and mourn the death of his wife
• Inserted improvised puns and references based on names given by the audience
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Roles: Ghost of Christmas Future, Dick Wilkins, Caroler, Fiddler
Operated a 40lb stalkabout apparatus that made me 10ft tall
While wearing said apparatus, also flew 15ft above the stage while blinded by fabric
Sang and danced to choral arrangements of Christmas hymns
Provided live accompaniment with my violin, including a fiddle duet I helped arrange
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Roles: Pinocchio, Duloc Dancer, Knight, Rat Tapper
Had the opportunity to wear the National Tour costumes
Grew my nose on command twice in Act I alone
Tap danced with a tail and weighty rats on each foot
Developed the octaves-above-my-own voice without a single music rehearsal
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Roles: Spongebob (u/s), Electric Skate 1, Old Man Jenkins, Sardine, Sea Anemone
Sang and danced on plywood while wearing roller skates
Sang and danced outdoors in 100-degree heat while wearing a sweater and wig
Learned to tut while singing gospel, dancing, and occasionally playing the tambourine
Quick-changed into a 10-piece costume in less than a minute before a big tap number
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Roles: Bill (Sure Thing), Swift (Words, Words, Words)
Performed each one-act after just two rehearsals and one day of tech
Quickly memorized slight variations of the same first date relived repeatedly
Delivered a Shakespearean monologue and had a mental breakdown… as a monkey
Utilized a series of trampolines to jump a solid 8 feet in the air without padding
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Role: Christopher Boone
Quickly adjusted to a convincing RP/London British dialect
Delivered a monologue while walking on my hands
Utilizing Frantic Assembly techniques, flew around the stage supported by my castmates
Carefully portrayed neurodivergency honestly while avoiding stereotype
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Role: Scarecrow
Due to the Nashville-ization of our production, used a Southern dialect akin to Piedmont
Provided violin accompaniment, including fiddling between my own sung phrases
Entrusted to teach all choreography to our replacement Tinman during his put-in rehearsal
Learned the Charleston and danced the Jitterbug while wearing burlap
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Roles: Otto (u/s), Lt. Richter (u/s), Swing, Workman, Jewish Woman
Learned both Dutch and German dialects for this role (though with a British base)
Swung in for Otto without a put-in rehearsal when the actor got Covid
Performed as Otto for over a week alongside Nan Gurley, John Schuck, and Carrie Tillis
Continued as Otto during the SAG-AFTRA filming—movie was released in August 2023
Youth Theatre Work
BAM Theatre (IL): Assistant Director: Cinderella, Mary Poppins, Frozen, The Jungle Book
Crane River Theatre (NE): Music Director: Madagascar Jr., Co-Director: Descendants
Nashville Children’s Theatre (TN): Teaching Artist; Assistant Director: Looking Glass Land
Middle Park High School (CO): Choreographer: Once Upon a Mattress
Film Experience:
The Hiding Place (2023): Otto Schwarzhuber
Second City’s Harold Ramis Film School: Numerous short films
Skills
Instruments
Expert violinist with fiddling experience
Years of orchestra and private lessons for violin
Intermediate guitar, piano, ukulele
I pick up material, instruments quickly due to my trained ear
Vocal Training
Classical training with contemporary application
Years of private voice lessons and choral experience
Natural tendency towards dialects, plus onstage training
Near fluency in the Spanish language
Dance and Movement
Intermediate tap, including professional experience
Beginner/Intermediate experience across many other styles
Multiple award-winning athletic background
Training in theatrical movement styles (Alexander, Laban, etc.)